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Art // Design // Fashion // Los Angeles


Historical Humanism — The Photography of Anthony Friedkin

Filed under Photography


I first saw Anthony Friedkin’s work at the Stephen Cohen Gallery on Beverly Boulevard about six months ago. A large black and white fiber print of four overly muscled prisoners who were in full-body jackets of gangbanging tattoos. The four men stood shirtless, in the exercise yard at Folsom prison, their arms wrapped around one another, skin to skin. The image conveyed a naked intimacy that was intensely compelling and it had layers of profound emotional subtext that communicated the sadness and pain they shared in their incarceration, the quiescent violence of their personas, and their homeboy pride. It also tenderly evoked the physical love they felt for each other. It was quite an image.

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