Bob Poe’s Happy Accident
Fine art photographer Bob Poe is an anomaly on numerous levels in today’s art world. After purchasing a first generation Apple iPhone two years ago, Poe, an autodidactic and successful entrepreneur, made the intrepid move to embrace a full-time career as a fine arts photographer, opening his own gallery – Bob Poe Photography – at Santa Monica’s salubrious Bergamot Station after strolling in one afternoon on a whim to find a vacant space.Now a recognizable figure in the increasingly legitimate genre of cell-phone art photography, Poe’s entry to the world of fine art is as miraculous as his near overnight realization.
The process began after he accidentally shot several photographs on his new iPhone. While he says he was initially inclined to delete them, he later decided they were of artistic value. This, in turn, inspired him to devote all his time to his new craft and seek out a suitable venue to display his blossoming portfolio.
Poe, a business development manager with a thriving telecommunications company, was so inspired by the photographic process, and a certainty he could nurture a successful art career, that he decided opening his own gallery wasn’t such a premature thing, more something that would ensure he pursued his new creative outlet.
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Sheldon FigotenIt is certainly pleasant to step into Sheldon Figoten’s 1920’s upstairs studio in Mid-Wilshire and be bathed in light flooding in through windows on two sides, but it’s more than exciting to view paintings which emit a powerful light of their own—paintings using pure color and forms created by oil paint poured on stretched [...]
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The Los Angeles Contemporary Museum of Art’s (LACMA) permanent collection will always hold a special place in my heart. The home of David Hockney’s iconic (and locally relevant), panoramic Pop painting Mullholland Drive, Kurt Schwitters’ Dada masterful assemblage work Construction for Noble Ladies, and brilliant photographs from renowned artist Cindy Sherman’s Untitled Film Stills series, [...]
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What were some of your earliest influences?
At an early age, I met an artist who was a pointillist. I was really impressed and amazed by the detail and the dedication to the work.
From 15 to 25 years it was really a process of learning. As a child and teenager I would often draw in the [...]
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Fabrik in dialogue with Ruth Weisberg, artist, historian, pedagogue, and Dean of USC’s Gayle Garner Roski School of Fine Arts at the Norton Simon Museum, Pasadena, February 15, 2009, during the run of her Norton Simon exhibitions “Guido Cagnacci and the Resonant Image” and “Ruth Weisberg: Selected Works” at Jack Rutberg Fine Arts, Los Angeles.
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